Actor Headshot photographer in Boston

Headshot Advice for New Actors

Serious headshot advice for starting actors. Not a marketing BS material.

Most headshot advice articles are headshot photographers’ marketing material, where each photographer’s practice and preference shape their dogma of what you should and shouldn’t do. Some advice comes from acting teachers and casting directors, but their way of looking at headshot may not be the most effective, either. There are also a lot of advice out there that are cut and pasted from the pre-digital era, describing obsolete things.

So, this is an unfortunately confusing situation for new actors.

You probably heard this many times:

“You need a professional headshot now!”

… and this may be a part of why you are checking out this website. A business-minded photographer will agree immediately and takes your money. But I want you to pause and think a bit.

Every week, a few people contact my studio and tell me that they want to be an actor, and they need a headshot. I ask, “Who told you that?” They say they are told to get a professional headshot to start an acting career by an agent, agency, acting teacher, knowledgeable friend. Sometimes, the story sounds like what fake agencies tell.

My next question is “Do you have an acting resume?”

Is should be at least 1/3 page full of something legit looking. If you do, you pass the test. Skip the rest and sign up for your headshot session.

If you don’t have one, Google search “how to make an acting resume” and start drafting your resume now. You’ll also find resume stuffing materials by Google searching for local stage work, school productions, and local film production community website. Craigslist gigs section is often useful. Student film, local business sales video on youtube, tourist guide video for your local municipalities, nonprofits who need to create video contents, voice acting work, whatever. At this stage, it is more useful to work with patient and helpful people who don’t pay than impatient people who pay.

This is important for you because:

1. If you have a professional headshot and no experience in the resume, you’ll look skeptical.
2. If you don’t have any experience, you probably don’t understand yourself well enough. You will need this knowledge to create great headshots.
3. If you shoot a headshot without having some experience, you’ll grow out of it fast and will be re-shooting soon.

If you understand that, and you still have to shoot headshot now, just tell me so, and no further questions asked. I understand that there are sometimes deadlines and things do not always happen on an ideal schedule. Or call a headshot photographer who doesn’t ask questions. I’m glad to take your headshot. I’m just suggesting that you get more value for the same price this way (and potentially delay the expense).

Isn’t it a chicken and egg problem?

One good thing about student production and no name theaters is that they can’t be too picky about everything. Take your headshot at home for now. Those people tend to check out your social media or meet in person if they are interested, anyway. They are also usually helpful. It’s always good to know actors who were, in the recent past, where you are and grow together.

Then, you’ll have the experience and the headshot, both of which together make you credible. When your resume improved somewhat, it’s time to invest in the best quality headshot to get to the next level. You’ll get a lot more value out of your money at this point. Don’t overstretch an amateur photo, no matter how good it is. You’ll need a real headshot before going to casting for real productions.

Eventually then, you will be replacing those resume stuffing with the real experience in the resume, preferably while getting paid.

A really good advice from a casting director...

Among many actor advice videos from casting directors on youtube, I think this one has the key elements in one package. If you want to watch just one video, this is it. (Note: I don't have any relationship with Amy Jo Berman. I just did some research for you.) She emphasizes the importance of knowing your character so that you can line yourself up with the role being cast for, starting at 2:15. This is absolutely true.